The Real Dua Lipa

by today

Perhaps inspired by her visit to the Johnson Space Center earlier in the week, Dua Lipa shows up to try Texas barbecue for the first time in what can only be described as astronaut drip. The British–Kosovar Albanian singer is wearing flared, silver Courrèges trousers that look like one half of a groovy space suit, and diamond Eéra carabiner earrings that might come in handy if the International Space Station were to radio “Houston, we have a problem” down to Mission Control. Houston is one stop of 28 on the U.S. leg of Dua’s Future Nostalgia world tour, delayed three times until this year, when it was finally given a go for launch.

Space—a sense of the universal and the communal—provides a metaphor for what she hopes to achieve with her music, Dua explains, as we settle into a back corner table at Truth BBQ, a Central Texas–​style joint in the historic Heights neighborhood of my childhood hometown. “Everyone has their own version of spirituality,” she says. “Sometimes when you talk about it, it can sound cliché. But for me, God is just what you put out there and what you get back. I’m trying to bring people together with music, trying to bring light, you know? There’s a cosmic element to sharing songs that make people feel seen or understood.”

Bringing people together with music—and dancing, and roller-skating, and vast quantities of rainbow confetti—is just what Dua accomplishes on tour for her acclaimed second album. Her 90-minute show is a disco-​themed birthday party for grown-ups, though revelers young enough to require protective headphones are invited too. The set list draws almost entirely from the infectiously dance-y Future Nostalgia, which was released, inopportunely, in March 2020. But the two-year delay between album and tour only seems to hype the show’s party atmosphere.

“I didn’t get to see people’s reaction to the album in real life,” she tells me. “So being on tour and seeing the crowds is like, Oh, it was a really big album. I get so excited seeing people coming together as a collective.”

 

 

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